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The new genre of “Witch House” (or when Hipters can´t Triforce…)

09 Jun

OK this is going to be the last stuff i´m going to post on Lo-Fi/ hauntology twiddly nonsense for a while. After this it will only be Severed Crotch and Justin Bieber on infinite repeat…. for the next 3 months!

So you know how it is. You´re riding the music blog zeitgeist and you notice a trend forming among certain bands that share a similar aesthetic, sound and image. It has already been given a genre title and you start to put some notes together. Even this weekend you think to yourself “hey i should write a post about it on the farm”. And THEN your idol and general bastard of the skies, Warren Ellis goes and posts about it before you do! with a follow-up post about it the day after. That man is seriously ruining my life from a great distance!

Of course i´m talking about the NEW genre hitting the hipster internet music circles and it has been termed “witch house” (or Witch Trance, Witch Dub, Ghost Trance, Haunted Hypnagogia, depending on which day of the week it is.)

What is this “Witch House” you may ask. Well it´s basically is a hotchpotch of slightly different sounds. Low end squelchy darkwave bass synths, processed beatbox beats on a syrupy loop, slowed down and manipulated voice samples and vocals, a dash of dissonant ambient noise, a pinch of shoegaze and topped off with some serious epilepsy inducing videos and images!

I first became aware of this darker hynpagogic sound last year when i picked up 2 albums, “megafauna” by Yoga and “Salem EP” by Salem. Yoga has that sound that you would get from those early 80´s Italian zombie horror movies, but smeared and stretched with a layers of processed dark ambient noise over it, a bit like it was a really bad tape recording you took from the TV in 1983. Salem on the other hand, is a simple downtempo synth song with crunchy, distorted beats and echoed, spaced out vocals.

Over the last few months, this area of music has grown into a bit of a burgeoning community with it´s own LAST.fm group with about 30 linked acts. there is also a record label (Disaro Records) that release stuff from the majority of said acts.  So what the main connecting strands with witch house then?

So $%/(/(%&/⊆ℜ▲▲ is my new band name. Want me to spell it?

The first thing you notice are the band names. Some names are fairly normal and have an occult connotation. Salem, Modern Witch, Mater Suspiria Vision, white ring, etc…. But most of the bands have an obsession with using obscure symbols and syntax in their names. For example, you´ve got PWIN ▲▲ TEAKS, tw<TITght>ZoNeGr†LLGR†LL †‡†oOoOO///▲▲▲\\\ and ℑ⊇≥◊≤⊆ℜ. And there are plenty more wilfully abstract names like that. It all ends up looking like the /b/ forum on 4chan. There are a couple of reasons for this methinks.  One is that you can´t search these names up on google (try it. You won´t get very far), which create a sense of ambiguity and mysteriousness. (or perhaps they’re just being pretentious cocks). The second is that it gives the look of ancient pagan symbols and hieroglyphs, linking back to this whole Witch house terminology.

The second thing about witch house is it´s use of imagery and video in conveying it´s message. Most of these artists won´t let their faces be shown, often blurring out their faces and using photoshopped images. They also splice symbols of paganism and Satanism with religious and nature images so that their MySpace pages often resemble a freaking nightmare of bleeding collages that even my tumblr feed would never see in a million years. This also occurs with their videos, mixing segments of trashy horror films and 70´s sleazploitation with warped new age graphics and weird pagan symbols. Often they resemble something dredged from the dark depths of Andy Warhol and Derek Jarmans waking dreams.

Now some of this witch house genre i don’t care for and most of it will surely fall by the wayside before the year is out (in particular i didn´t take to modern witch). But some of it isn´t too bad (Tearist, ///▲▲▲\\\ and †‡† are worth a listen). i do feel that this is certainly the start of the bridging of all that Hypnagogic wilful lo-fi noise and the nod to occult folklore that occurs in hauntology. i definitely expect the likes of pitchfork and Wire magazine to go apeshit over this stuff this summer months and announce it “the future of music”. I don´t think my mother will go for it though…

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5 Comments

Posted by on June 9, 2010 in music

 

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5 responses to “The new genre of “Witch House” (or when Hipters can´t Triforce…)

  1. Garett

    April 10, 2013 at 1:09 pm

    Great article! ever heard of tangled memories?

    Tangled Memories is a paradisaical consolidation of Romantic-Gothic/Moody Witch House with ghostly-hazy Trip Hop, and Dark-Ambient Electronic effervesces.

     
  2. mina

    April 25, 2014 at 12:32 pm

    awesome post! I wasn’t familiar with a few of the bands so I’m happy to have learned about them. I’m currently falling in love with bands like White Ring, The synthetic dream foundation, Ritualz, Modern witch, etc, but I love learning new ones!

     
  3. Ghost_FX

    May 9, 2015 at 1:56 am

    What I see is this music will definitely have great influence on new music that comes out. I feel like this genre has an aesthetic that is a trend, and that it will have influence on future acts, but not all of it will come with. The music however, is in my opinion, is already the future of music. To me, this is the experimental [adolescent] age of mixological music. Maybe I am just too critical or have been conditioned to the material that reaches popular radio stations today, but a lot of popular music is vocal, rhythmic, melodic, and on the “market”. That market is what makes me feel the mysteriousness and ambiguity of this genre may have a quality that doesn’t fit the “music industry”. The overview of the music almost feels to me like what anti-industry music would be. Most of what i have listened to under the new witch house, trillwave, trip witch/glitch, glo-fi genres is ambient, distorted, sometimes minimal, haunted, abstract, buzzy, and a lot of the time dragging. tapering off of these elements might be able to reach a larger audience, but also might go outside of the genre completely. For right now though, I am not impressed with the evolved seapunk image and most of it may not grow far from its roots in the underground, which is what I feel the listeners of this particular music want.

    Music genres to me are like a compositional formula. We can edit this formula time and time again to produce different results, permutations, or even create something beautiful and new.

    “When we discovered the word can be cut up, that sound can be cut up, everything to do with culture can be cut up and reassembled in ways that didn’t exist before. That will be seen as the most radical and important thing of the century.” -Genesis P-Orridge

     

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